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How I Create "1977 the Comic"
or An Idiot's Guide to Cartooning |
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Step 1: Write Funny.
A lesson I learned in my college creative
writing courses was "To write funny, you must feel
funny." Seemed like a good idea, so I tuck myself
under my desk and boy, do I feel funny!
Have a
droid do your menial chores for you! R2-D2 is my
constant companion bringing me my daily dosages of
Mountain Dew. Caffeine is also required to write
funny. Once I have written some funny stuff, I go
to my chiropractor to straighten out my spine and then I
open MS Word on the ol' PC. Now, for the serious
stuff. :) |
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Step 2: Dialog.
I try to come up with a witty title for
each comic. Many are based on popular rock songs
of the era, but "That 70s Show" did the same thing, so I
tend to stay away from that as much as possible. I stage
out each frame in script form best I can, keeping in my
mind you have a limited amount of space for dialog and
the actual characters. I like my comedy to be more
visual based, though an occasional zinger will show up
in my dialog.
I write
about a month's worth of scripts at a crack, then I
create a week's worth of comics (3 strips) in a weekend
or so. Sometimes the day before it's due. Hey, I'm
an artist for a reason! :) |
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Step 3: Sketches.
I do all my drawing on the computer
using a WACOM tablet and Manga Studio EX software.
I save a ton of money on art supplies. I haven't
bought a single pencil or sketch pad in over a year.
Sorry Dick Blick.
I insert
the Frame's dialog using the text tool and then try to position it best I
can so I can fit in the characters. I want my
comics to be easy to follow, so I use a very simple
blocking procedure to allow the reader to get the point
and move on as easily as possible.
Also, I create each comic at 600DPI in
case I need to create any posters or printed materials
for the comic somday. |
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Step 4: Inking.
Again, I do all my inking in Manga Studio
EX. It has a nice correction feature that will
take out as much or as little "wiggle" in your lines as
you'd like. All types of pen tips are available as
well as sizing the beginning and ending of each stroke.
One thing I really like is the ability to draw the lines
over if necessary. Inking always scared the hell
out of me as you normally couldn't erase ink too easily,
but now you can!
I ink in
several layers; dialog, characters, backgrounds and
accessories. When I'm finished, I export these
layers into a PhotoShop CS compatible file and start the
coloring process! |
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Step 5: Coloring.
Now that my comic is exported as a
PhotoShop file, I open PS and start to color. I
have created a basic pallet for 1977 and simply use the
paint bucket to fill in the areas. I ink each area
to be colored as a "closed" section so the color only
fills into the areas I want it. I duplicate the
original ink layer and use it as a color fill layer. Then I create an empty layer to use for shading. I
use the Darken brush at about 40% and try to create
simple shadows. I use the smudge tool to "stay in
the lines." :)
You can
see in the image the three layers used. |
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Step 6: Finalizing.
Here's where I get impatient and it shows
a lot. I fill in the backgrounds and create the
"word bubbles." I use PhotoShop's Rounded
Rectangle Tool to create the basic bubble shapes, then I
apply a Stroke Layer Style (make sure it's set for
inside to get a sharp point) to the bubbles to create
the black outline.
These days
I use a lot of simple arched shading for the backgrounds
as it takes freaking forever to create chairs and
tables for every comic. Now that I'm using a
smaller 4-frame format, there's not as much room for
background accessories. Also, like an idiot, I
have my characters play guitars and drawing the damn
strings and frets will drive you insane. INSANE I
TELL YOU! ARGH!
Then all I
do is simply flatten the image, size it for the web and
save it as a JPEG. I create simple 300x200 images
as teasers for my blog and the website. And that's
it. I do most comics in about 4 hours from start
to finish. |
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How
I Came Back to Cartooning After 30 Years. |

"What? You said two pencils, right? Oh,
a number 2 pencil! Silly me!" |
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My earliest memory of
comic strips was reading a "Peanuts" gallery in the early
1960s. I remember saying at some point that I wanted to do
cartoons, meaning I wanted to do a comic
strip. I was heavily influenced by the styles of Jack Davis
and Mort Drucker as they drew parodies in MAD magazine
(kinda explains my warped sense of humor too!)
I took drawing lessons at the Park District in
Lombard, Illinois in 1969, then drawing courses in High School. I started my
first comic called "TR-1" in 1970. Then in Junior High School, High
School and College, I did occasional drawings and comics for
the school newspapers.
I even did a complete storyboard of a proposed comic in 1976
for my college newspaper about a dog and his master (only
seen from the knees down as the comic was from the dog's
perspective)
but I started working at the University cable news station
and inadvertently my career in video was launched. |
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In the past 30 years
I've gotten married, had three sons, worked in video &
multimedia production and now I've decided to take up cartooning again. I
always wanted to be a cartoonist and now I hope to fulfill
that dream. |

1962: The Wave |

1977: Wavy Hair & Bass |

NASCAR, man! |

2007: Gray Hair & Bass! |
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